I Want
(I
wanted
the
past to go away, I wanted
to
leave, it like another country…)
Except, I want the past to
stay.
Not all of it, only snippits:
his
warm, wet little body slipping out of the tub
and into the big fluffy towel,
him
giggling,
me
rubbing him dry
until his skin almost shines.
His
laughter as he peddles his little feet,
maneuvering
his shiny red fire truck,
or fifth hot wheel bike,
up
and down the sidewalk and around the block.
GI
Joes, convoys, vampires at Halloween, and
Christmas
morning glee.
Smores
around the campfire.
Him
burrowing down under the covers in his flannel pajamas,
his
tiny arms flung around my neck
and
his whispers,
“I love you Mommy”.
“I love you Mommy”.
And there are grown up
snippits of our past that I’d like to stay, too:
family
dinners at Christmas time,
presents
under the tree,
“Merry
Christmas”,
“Happy
birthday”,
his
deep grown-up voice declaring without shame,
“I love you Mom”.
“I love you Mom”.
And
his children laughing and playing games,
running
in and out of the kitchen,
asking
for fat buttered rolls, hot out of the oven,
sleep
overs at Grandma's,
our
special breakfast of cinnamon-sugar buenelos and milk.
Today there seems only to be a
hole in my heart
where the past used to be.
(Also,
I wanted
to be
able to love. And we all know
how
that one goes,
don’t
we?)
That was my prayer too.
I asked to love without
condition,
with no judgment or
expectation.
The cost has been high.
(You
don’t want to hear the story
of my
life, and anyway
I
don’t want to tell it.)
Again.
I’ve told it far too often.
What I’d like to leave behind
for real this time
is the treasured loss,
the re-collecting of all those
moments,
the stories that sit in the
corners of my mind
like all that straw locked in
the room with her.
She kept spinning that straw hoping
it would turn into gold.
That only happens in fairy
tales.
I want to be free
to live and laugh and love
what I have today,
at this very moment.
At the same time,
I want my kids
and my kids’ kids to come
home
–
just for a moment –
to play.
(The lines in parens are from
Mary Oliver’s “Dogfish”, from Dreamwork.)
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